(Italiano) Materiali per le lezioni concerto, maggio 2012

Saturday April 28th, 2012 von D.

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Category: Musical analysis, for-choirs-and-choirsingers | Comment »

Webern, 6 pezzi per grande orchestra, Op. 6: versioni a confronto

Monday October 11th, 2010 von D.

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Category: Musical analysis | Comment »

Analisi musicale: funzioni, scopi, vie.

Saturday October 9th, 2010 von D.

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Lutoslawski, Trauermusik: appunti per lo studio.

Thursday October 7th, 2010 von D.

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Verklaerte Nacht: versioni a confronto.

Wednesday October 6th, 2010 von D.

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Verklaerte Nacht: tracce di analisi.

Monday October 4th, 2010 von D.

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Verklaerte Nacht (Richard Dehmel): testo e traduzione.

Sunday October 3rd, 2010 von D.

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Category: Musical analysis | 1 Comment »

La pronuncia dello svedese nel canto corale

Thursday January 28th, 2010 von D.

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Category: Musical analysis, Historically informed performance, Coralità, linguistica, musica | 2 Comments »

Hugo Wolf: Ergebung (da Sechs geistliche Lieder)

Sunday December 13th, 2009 von D.

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Category: Musical analysis | Comment »

Brahms, Op 92 n. 3 Abendlied

Thursday October 8th, 2009 von D.

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Brahms, Op 62 n. 3 Waldesnacht

Tuesday October 6th, 2009 von D.

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Brahms, mottetto Op. 74 n. 1, “Warum ist das Licht gegeben”: analisi e testo

Tuesday June 30th, 2009 von D.

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Category: Musical analysis, musica | 2 Comments »

Reger, Abendlied: testo, analisi, guida allo studio.

Saturday June 13th, 2009 von D.

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Category: Musical analysis, musica | 2 Comments »

Cornelius: ‘Seele, vergiss sie nicht (Requiem)’, analisi e testo.

Thursday June 11th, 2009 von D.

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La pronuncia dell’inglese nel canto corale e solistico.

Wednesday May 13th, 2009 von D.

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Category: Musical analysis, Historically informed performance, Coralità, linguistica, musica | Comment »