2008 October | davide lorenzato

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(Italiano) Atelier e corsi di direzione, estate 2010

Sorry, this entry is only available in Italiano.

Haydn, Stamitz, libri paga e prassi.

D., Friday 31 October 2008, 7:40 | Articoli di Prassi esecutiva | 0 Commenti

Sorry, this entry is only available in Italiano.

Bach Weihnachtsoratorium: analisi fraseologica

D., Thursday 30 October 2008, 7:09 | Analysis, Articoli di Prassi esecutiva | 0 Commenti

Phraseology of the main Chorus in Bach’s Weihnachtsoratorium:

(S= instrumental, C=choir; the numbers are bars number, each letter means 4 bars of melodic-harmonic material, (if more or less bars, I’ll write it); a number after a letter means “variation of the material”, a number N before a letter means N-times that letter; at the end of the line sometimes you find the tonality of that line)

1, “Jauchzet, frohlocket! auf, preiset die Tage”

NOTE: a1 is 6 bars, f1 is 2+2+2

(1)S a b c c1 d d1 e e1 /D

(33)C a1 b c c1 f1 2f d d1 e e1 /A

(81)S c c2 D

(89)C a1 b c c1 f1 2f d d1 e e1 +One bar //D (by repeating, end of the piece)

(138)C 4z 2z 2z1

(170)S 4c3 /h-

(186)C c4 d2 e2 e3 /f#-

21, “Ehre sei Gott in der Hoehe”.

Note: b and c1 are 6 bars, b1 and c are 4.

1 6a

25 b

31 3c c1

49 2a

57 b1

61 c1

24, “Herrscher des Himmels”.

(Two parts, with perfect symmetry)

1 S 4a

17 C 4a1

33 C 4a

49 S 4b

65 C 4b1

81 C 4b

36: “Fallt mit Loben”

(# means hemiolia by the cadenza; f is a crasis of d and a)

Look at the mirror symmetry.

Section A, 80 bars:

1 St: a b a1 a1 c c#

25 Ch: a d d a b

45 Ch: a a c c

61 Ch: a d d a b

Section B, 80 bars:

81 St: a a1 c c1#

97 Ch: b b c c d1 e#

121 St: a a c c1#

137 Ch: b b c c d1 e#

Section A, 80 bars:

161 Ch: a2 a2 b d d f f

189 Ch: a a1 c c 205 Ch: a d d a b

225 St: a a c c#

43: “Ehre sei Dir Gott gesungen”.

1 Str : 4bars patterns

17 Ch: omorythmic, 5 bars patterns

32 fugato TASB 4+2+4 bars and then progression 12 bars

54 Str: 4 bars pattern

58 Ch omorythmic

75 fugato BTAS

54, “Herr, wenn die stolzen Feinde schnauben”

NOTE: c begins “upbeat”, one bar before. However, all elements are 4 bars.

(1)S a a b b c1 c d d e f c2 c /D

(49)C 5a 5a 4b b b c1 c //A

(121)C 4d 2d 2d c1 c // h-

(161) (reprise) a 4a a 3b 3b c1 c //A

(217) d d e f c2 c

Robbie Williams si nutre…

D., Wednesday 29 October 2008, 7:28 | Thoughts, remarks, aphorisms | 0 Commenti

Hear and judge Williams’ voice, then help yourself by comparing in the third strophe Sinatra’s one.
Our senses were made by mother Nature to notice changing of values, not values!
And that’s the biggest question by music listening and understanding.